Works

Poetry – Books and Anthologies

  • Gravidity and Parity, Vagabond Press, 2021 – available from Vagabond Press
  • ‘Confirmation Bias’, ‘Miscarriages’, ‘Incomplete Disclosures’ — Appear in What We Carry: Poetry on Childbearing, Ella Kurz; Simone King and Claire Delahunty (eds.), Recent Work Press, 2021 – available from Recent Work Press
  • ‘Nominated Intimacy’ — Appears in Borderless: A transnational anthology of feminist poetry, Saba Vasefi; Melinda Smith and Yvette Holt (eds.), Recent Work Press 2021 – available from Recent Work Press
  • A Leaving, Vagabond Press, 2018 – available from Vagabond Press
  • ‘When women go to war’ — Appears in: Solid Air: Australian and New Zealand Spoken Word, David Stavanger and Annie Te Whui (eds), University of Queensland Press, 2019 – available from UQP
  • ‘We make a masked ball of sour days’, ‘Saying nothing’, ‘Who is the woman’ — Appears in: Bareknuckle Anthology, Brentley Frazer and A.G. Pettet (eds),Vol. 1, 2015
  • ‘Birthday letters’ — Appears in: Queensland Poetry Festival Anthology, 2012

Poetry – Journals and Websites

  • ‘Pattern Analysis’, Cordite Poetry Review, Editon 107, December 2022
  • ‘Chosing which history to repeat, live from Blakfullas University’, ANAT Spectra, May 2022
  • ‘Patti Says’, Dawn Song Project, UNESCO City of Literature, Heidelberg, Germany, 2020
  • ‘2 May 2020’, Poet Laureates of Melbourne, UNESCO City of Literature, Melbourne, 2 May 2020
  • ‘Rozencrantz and Gildenstern and Collaborethics’, Cordite Poetry Review, Chapbook Feature, 1 February 2020
  • ‘The candle’ — Appears in: Poetry Object, Red Room Poetry, 2019
  • ‘Newsbreak (1755 – 2018) — Appears in: Stilts, Vol. 2, 2018
  • ‘Hewoman’  — Appears in: Australian Poetry Journal, Vol. 8, no. 2, 2018
  • ‘I get the news I need from the weather report’, SBS Filipino, February 2015
  • ‘Moiré’ — Appears in: Australian Poetry Journal, Vol. 5, no. 2, 2015
  • ‘Love song to a unicyclist’, Brisbane Poetry Map (BPM), August 2015
  • One Night Wonders (live album), Going Down Swinging, 2014
  • ‘Chain Gang Blues’ — Appears in: Arc Poetry Magazine, Vol 75, 2014
  • ‘On a warm summer night’ — Appears in: Scum Magazine, 2014
  • ‘We bury not burn’ (film), collaboration with Betsy Turcot and Chloe Callistemon — Appears in: Cordite, Vol. 47, 2014
  • ‘There are important incongruities’ — Appears in: Going Down Swinging Blog, 2013
  • ‘We are a masked ball of sour days’ — Appears in: Queensland Poetry Festival Anthology, 2013
  • ‘The State We are In’ — Appears in: Peril : An Asian-Australian Journal, No. 18, 2014
  • ‘Sleepy Town’ — Appears in: Peril: An Asian-Australian Journal, No. 18, 2014
  • ‘Janis Ian remembers’ — Appears in: Going Down Swinging Blog, 2012
  • ‘All creatures feel fear’ — Appears in: Audio Overland, 2012
  • ‘The very best story I know’ — Appears in: Going Down Swinging, No. 32, 2011
  • ‘A night on the town’ — Appears in: Cordite, Creative Commons, Vol. 30, 2010
  • ‘The most beautiful thing’ — Appears in: Going Down Swinging, No. 30, 2010

Fiction

  • ‘The Transfer’ — Appears in: Review of Australian Fiction , vol. 18 no. 6, 2016

Essays and Editorials

  • ‘Accountability and the Arts’, National Association of the Visual Arts, 8 July 2021
  • ‘Gravidity and Parity’, Meanjin, The Next 80 Years, Vol 79, no 4, 2020
  • ‘Pregnant in a pandemic’, in Women’s Agenda, 7 April 2020
  • ‘Arts and non-arts collaborations’, in Jade Lille (ed), The Relationship is the Project, Brow Books, Melbourne, 2020
  • ‘On not talking to Germaine Greer’, in Christie Nieman, Maggie Scott, Natalie Kon-Yu and Miriam Sved (eds), #MeToo: stories from the Australian movement, Pan Macmillan, Melbourne, 2019

Interviews

  • ‘Natalie Kon-yu is a feminist first’, Dumbo Feather online, 3 February 2020
  • ‘Lori Lakin Hutcherson publishes good black news’, Dumbo Feather, Vol. 50, 2017
  • ‘Hanna Assafiri trades food for justice’, Dumbo Feather, Vol. 51, 2017
  • ‘Farways – Audrey Lam’, Peril: An Asian-Australian Journal, No. 20, 2015
  • ‘Interview with John Mateer – Emptiness’, Peril: An Asian-Australian Journal, no. 19 2015
  • ‘In conversation with Pete Emptage and Max Ryan’, Peril: An Asian-Australian Journal, No. 19, 2015
  • ‘Interview: Deborah Ruiz Wall’, Peril: An Asian-Australian Journal, No. 15, 2013

Exhibitions and installations

  • Women in Cars, for Red Dirt Poetry Festival, August 2022
  • On art, motherhood and taking up space in the Melbourne Arts Precinct Walk, Episode Three, ACCA, Who’s Afraid of Public Space, December 2020
  • Poetry First Aid, for Red Dirt Poetry Festival, 31 July – 31 December 2020
  • Memory, Desire, Signs, ekphrastic poem for Return Flight – group exhibition at Blender Studios, Melbourne, 9-25 August 2019 and Floating Projects, Hong Kong, 14 – 29 September 2019
  • Love Me Tinder – solo exhibition featuring installations of Side A/Side B and Now You See Me, and Social Climbing as live performance for Red Dirt Festival, Alice Springs, 28-31 July 2016
  • Now You See Me – poetry recordings and braille translation, premiered as live performance for Exist ARI, Metro Arts, Brisbane, 6 June 2016
  • Chasing Infinite Junctures – catalogue essay and performance for Caitlin Franzmann exhibition, Box Copy, Brisbane, premiered 10 April 2015
  • Social Climbing – premiered at for Exist ARI, Metro Arts, Brisbane, 5 June 2014
  • Side A/Side B – Tandem poetry presented on tape or vinyl, as an installation, recording or live performance. Premiered as an installation and a live performance at the Queensland Poetry Festival, Judith Wright Centre of Contemporary Arts, Brisbane, 24 August, 2013
  • A timely act of intimacy – one-on-one performance installation, premiered at for Exist ARI, Metro Arts, Brisbane 1 November 2013